I want to make art that functions at three levels:
- As an interesting object that invites consideration. Because an artwork is a thing and a sign rather than a language or code it can invoke a variety of images and feelings in a viewer that become closely connected to their personal experiences. At that level I’m not communicating through art so much as sending interesting (and hopefully beautiful) objects out into the world for others to enjoy.
- As a semantic gesture. Rather than seeing art in terms of form and content I like to think of art as a gesture of communication that has its own internal logic and structure. My hope is that a patient viewer who saw several of my pieces and perhaps read my artist’s statement could construct their perceptions into something resembling the sense I had while creating the work. Of course it’s not an exact translation (that’s half the fun of art), but perhaps they can see a gesture of my idea.
- As a speculative fiction. Every aspect of my process from the theorizing I do here to the practical decisions made in the studio construct a speculative fiction–a metaphorical microcosm within the fullness of reality and lived experience. To make art is to isolate and imaginatively engage with a facet of life. Just as a work of fiction like Bradbury’s Fahrenheit 451 presents a picture for how the world might be, I hope the entire scope of my practice presents a model for how the world might be seen or engaged with.